Face-Eating Aliens, Time-Policing, and Pure Weirdness — Romeo Is a Dead Man Reviewed

Romeo Is a Dead Man is a short, strikingly odd outing that pairs bleak humor with unsettling, dreamlike set pieces. You inhabit a cybernetic agent enlisted by a space‑time enforcement agency after a grotesque encounter with extradimensional creatures, and the game never shies away from bizarre narrative detours or abrasive presentation choices.

Tone and story: The game leans heavily into surreal, Lynch‑adjacent atmosphere — plot threads are fragmentary by design, often prioritizing mood over clarity.
Gameplay: Combat and movement are serviceable but sometimes secondary to exploration and scripted sequences; the experience favors moments of shock and strangeness over polished looped systems.
Audio/visuals: Art direction is deliberately abrasive, with unsettling sound design and visuals that amplify the game's off‑kilter personality.
Audience and length: It's a compact, divisive experience — rewarding if you appreciate experimental games that flirt with discomfort, frustrating if you expect conventional pacing or explanation.

Romeo Is a Dead Man is a clear statement from a studio unwilling to play it safe: it amplifies weirdness, accepts player bewilderment, and ultimately delivers a memorable, if polarizing, ride.